Jews Praying In The Synagogue on the Day of Atonement by Maurycy Gottlieb (Tel Aviv Museum of Art) The Israel Book Review has been edited by Stephen Darori since 1985. It actively promotes English Literacy in Israel .#israelbookreview is sponsored by Foundations including the Darori Foundation and Israeli Government Ministries and has won many accolades . Email contact: israelbookreview@gmail.com Office Address: Israel Book Review ,Rechov Chana Senesh 16 Suite 2, Bat Yam 5930838 Israel
Sunday, July 22, 2018
She Who Tells a Story: Women Photographers from Iran and the Arab World Hardcover – Illustrated, September 1, 2013 by Kristen Gresh (MFA Publications)
This book looks to be something of a revelation: “She Who Tells a Story” and its catalog represent an excellent opportunity for American audiences to learn about a tradition of photography that (to my knowledge, at least) has had little exposure up until now. [...] In a foreword to the catalog, curator and critic Michket Krifa discusses how culturally-charged objects, and the veil in particular, have been used to draw overly simplified conclusions about the situation of women in Muslim countries. In discussing the work of Iranian photographer Shirin Neshat, she writes: “very quickly, her photographs prompted Western art critics to search for an aesthetics of the veil, often with a desire to see her works solely as a critique of the Iranian regime and, more broadly, of Islam.” In short, Krifa says, “they distorted her artistic singularity into an anthropological curiosity.” Clearly, one challenge of the exhibit is avoid producing this sort of reading
She Who Tells a Story introduces the pioneering work of 12 leading women photographers from Iran and the Arab world: Jananne Al-Ani, Boushra Almutawakel, Gohar Dashti, Rana El Nemr, Lalla Essaydi, Shadi Ghadirian, Tanya Habjouqa, Rula Halawani, Nermine Hammam, Rania Matar, Shirin Neshat and Newsha Tavakolian. As the Middle East has undergone unparalleled change over the past 20 years, and national and personal identities have been dismantled and rebuilt, these artists have tackled the very notion of representation with passion and power. Their provocative images, which range in style from photojournalism to staged and manipulated visions, explore themes of gender stereotypes, war and peace, and personal life, all the while confronting nostalgic Western notions about women of the Orient and exploring the complex political and social landscapes of their home regions. Enhanced with biographical and interpretive essays, and including more than 100 stunning reproductions, this book challenges us to set aside preconceptions about this part of the world and share in the vision of a group of vibrant artists as they claim the right to tell their own stories in images of great sophistication, expressiveness and beauty.
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