Jews Praying In The Synagogue on the Day of Atonement by Maurycy Gottlieb (Tel Aviv Museum of Art) The Israel Book Review has been edited by Stephen Darori since 1985. It actively promotes English Literacy in Israel .#israelbookreview is sponsored by Foundations including the Darori Foundation and Israeli Government Ministries and has won many accolades . Email contact: israelbookreview@gmail.com Office Address: Israel Book Review ,Rechov Chana Senesh 16 Suite 2, Bat Yam 5930838 Israel
Saturday, July 28, 2018
Matisse/Diebenkorn Hardcover – October 23, 2016 by Janet Bishop (Editor), Katherine Rothkopf (Editor), John Elderfield (Contributor), Jodi Roberts (Contributor) (Prestel)
Matisse/Diebenkorn,” a deeply stirring exhibition at the Baltimore Museum of Art (it was co-organized by the San Francisco Museum of Modern Art), demonstrates that Diebenkorn’s intense love extended to every corner of Matisse’s career. The result is an unusually beautiful show, in which the unique glow emitted by one painter meets the glow from another and seems almost to create new atmospheric conditions.This volume charts the evolution of Diebenkorn by featuring dozens of his paintings and drawings alongside those by Matisse; it becomes readily apparent, through subject, composition, and technique, how prominent Matisse's impact was on Diebenkorn.
This sumptuously illustrated book brings together the work of Henri Matisse and Richard Diebenkorn as never before, illuminating unexpected resonances that connect the two artists across time and space. Featuring stunning pairings of more than 80 paintings and drawings, this book charts the evolution of Matisse’s impact on Diebenkorn over the course of Diebenkorn’s career. Though they never met, Matisse was an enduring source of inspiration for the Californian artist, and their works share surprising similarities in subject, composition, palette, and technique. Essays by Janet Bishop and Katherine Rothkopf explore how this influence evolved over time, connecting the work of the two painters and highlighting the ways Diebenkorn drew from Matisse’s example to forge a style entirely his own. The volume is rounded out by an introduction by John Elderfield, who knew Diebenkorn personally and has curated exhibitions of both artists’ work; an essay by Jodi Roberts on parallels between the artists’ drawings; and a bibliography documenting Diebenkorn’s collection of books about the French artist. The first in-depth examination of the relationship between the work of Diebenkorn and Matisse, this publication offers new ways of understanding both artists.
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