Showing posts with label . Israel Book Review. Show all posts
Showing posts with label . Israel Book Review. Show all posts

Wednesday, June 20, 2018

Gershom Scholem .. a complex Zionist..... Adam Kirsch Gershom Scholem: Master of the Kabbalah by David Biale Yale University Press, 232 pp., $25.00 Gershom Scholem: From Berlin to Jerusalem and Back by Noam Zadoff, translated from the Hebrew by Jeffrey Green Brandeis University Press, 320 pp., $95.00; $40.00 (paper) Greetings from Angelus: Poems by Gershom Scholem, translated from the German by Richard Sieburth, with an introduction and annotations by Steven M. Wasserstrom Archipelago, 150 pp., $16.00 (paper) The Correspondence of Hannah Arendt and Gershom Scholem edited by Marie Luise Knott and translated from the German by Anthony David University of Chicago Press, 352 pp., $45.00 Werner Scholem: A German Life by Mirjam Zadoff, translated from the German by Dona Geyer University of Pennsylvania Press, 372 pp., $49.95





Röhnert/ullstein bild/Getty Images
Gershom Scholem, circa 1970

Gershom Scholem was one of the great scholars of the twentieth century. Almost single-handedly, he created the modern academic study of Jewish mysticism, a subject that had been scorned by earlier generations of historians. But that achievement, remarkable though it is, hardly explains why he remains such an object of fascination so long after his death in 1982. Other German Jewish intellectuals associated with Scholem, like Walter Benjamin and Hannah Arendt, wrote about matters much closer to the mainstream of modern life—mass media or totalitarian politics. By comparison, one might expect a scholar of the ancient mystical treatise the Bahiror the seventeenth-century Sabbatian heresy to be of interest only to specialists.

Yet the studies of Scholem’s life and work show no sign of stopping: in the past year alone, he has been the subject of two new biographies, by David Biale and Noam Zadoff. There are also new English editions of his unpublished verse and of his correspondence with Arendt; and there is even a biography of his brother Werner, a Communist politician in Weimar Germany, who is remembered in large part because of Gershom’s fame. (These books follow George Prochnik’s passionate and personal 2017 memoir/biography of Scholem, Stranger in a Strange Land.) Clearly, Scholem has become one of those figures in which the modern world—in particular the modern Jewish world—sees its reflection.

That is because his life and work intersected with some of the most momentous events of the twentieth century: the birth of the State of Israel and the death of European Jewry. Not only did Scholem witness these developments, but his scholarship proved to be highly influential in the way modern Jews thought about the course of their history. Scholem’s scholarly work on Kabbalah, the tradition of Jewish mysticism, did not touch on contemporary politics at all, but was nonetheless deeply informed by them. In Kabbalah, Scholem found an expression of the collective hopes and traumas of the Jews over the centuries.

To use one of his favorite words, Scholem restored “the demonic”—in the sense of the irrational, the unconscious, the fateful—to the modern understanding of Judaism. In the twentieth century, this dimension of history seemed much more real than it had to the nineteenth-century scholars of “the science of Judaism,” who tended to see Jewish mysticism as the desiccated superstition of a benighted past. Scholem, on the contrary, believed that Kabbalah had been an authentic and vital expression of Jewish spirituality. “The mystics…were the true representatives of the living, popular religion of the [Jewish] masses,” he wrote in his magnum opus, Major Trends in Jewish Mysticism.

Scholem reintroduced modern Jews, including many scholars and writers, to the central elements of Kabbalah: the sefirot, the ten levels of God’s being; the sitra aḥra, the dark “other side” of God from which evil springs; and the Shekhinah, the female aspect of the divine. Indeed, to the extent that kabbalistic concepts and vocabulary have entered into the wider culture, it is primarily thanks to Scholem. In his introduction to Greetings from Angelus, Steven Wasserstrom writes, with permissible exaggeration, that “secularized ‘Judaic’ high-culture of the twentieth century is for all intents and purposes Gershom Scholem.”

The irony of Scholem’s life is that this symbol of Jewish knowledge was born into a family that completely lacked it. In his memoir From Berlin to Jerusalem, Scholem recalled the atmosphere in the home of his parents Arthur and Betty, who ran a printing business. Like many German Jews of their era, the Scholems were middle-class, assimilated, highly patriotic, and religiously nonobservant. (Arthur worked on Yom Kippur, and while Sabbath candles were lit on Friday nights, he made a point of using them to light his cigars.) At the same time, they lived in a completely Jewish social world. No non-Jews ever visited the family home, and when Werner Scholem announced that he was getting engaged to a Christian girl, his father cut off all contact with him. Yet when Gershom announced that he was a Zionist, his father cut him off as well. Any deviation from the line of cautious assimilation struck Arthur Scholem as a dangerous heresy.

Already as a teenager, Scholem was acutely aware of the contradictions and hypocrisies that reigned in this German Jewish milieu. His ideas about Judaism and Zionism evolved throughout his life, but he was utterly consistent in his belief that Deutschjudentum—German Jewishness—was based on a lie. In the 1960s, when he was asked to contribute to a volume on German-Jewish dialogue, Scholem let loose his famous sarcasm on the very idea:

To whom, then, did the Jews speak in that much-talked-about German-Jewish dialogue? They spoke to themselves, not to say that they outshouted themselves. Some felt uneasy, perhaps even dismal about it, but many acted as if everything were on the best way to being settled, as if the echo of their own voice would be unexpectedly transmogrified into that voice of the others they so eagerly hoped to hear.

The Germans never responded to the Jews; they ignored them or they hated them, and finally they murdered them.

Not everyone saw it that way in the 1910s. In his memoir, Scholem observed that he was one of four sons whose lives, taken together, represented the full spectrum of possibilities for German Jews of his generation. His oldest brother, Reinhold, was an ultra-patriot who fought proudly in World War I and considered himself a German nationalist even after he was forced by the Nazis to flee to Australia. (“I’m not going to let Hitler dictate my views to me!” he insisted.) Meanwhile, Werner Scholem, the third brother, took a directly opposite course, joining the many Jews of his generation who looked to communism to abolish all kinds of injustice, including anti-Semitism. “Every thinking Jew becomes a Socialist,” Werner wrote to Gershom in 1914.

In her biography of Werner, which was published in Germany under the title The Red Job, Mirjam Zadoff shows that he reaped only bitter fruits from his ideological commitment. He emerged from his army service a committed leftist and won election to the German parliament as a Communist deputy. He gave fiery speeches on the floor of the Reichstag, often in the face of loud anti-Semitic abuse. But his enemies weren’t only on the right: after several years of prominence, he was purged from the German Communist Party, along with other Jewish intellectuals, as part of the process that brought the party under the control of Stalin.

As a well-known Jewish Communist politician, Werner Scholem figured prominently in Nazi hate-propaganda, and he was arrested after Hitler’s rise to power in 1933. Initially released after a few days, he inexplicably failed to flee the country, believing perhaps that his status as a Great War veteran would protect him. He was soon rearrested, and while he was acquitted by a court—the charges involved an alleged plot to spread Communist propaganda in the army—he was immediately placed under “protective custody,” the Nazi euphemism for indefinite detention in a concentration camp. He spent years in a succession of camps, where he suffered from both the hostility of the Nazi guards and the ostracism of the Communist Party cadres who were usually the most influential prisoners. Finally, in 1940, he was killed at Buchenwald, apparently shot by guards—a terrible end to a life that was indeed Job-like in its perpetual ordeals.

And then there was the youngest son, whose path was the most unusual of all. Born in Berlin in 1897, Gershom Scholem was exactly the same age as the modern Zionist movement, which held its first congress in Basel that same year. Scholem came to Zionism as a teenager, and he embraced it with the same radical fervor that Werner brought to communism. In his appealingly written and deeply knowledgeable short biography, published as part of the Yale Jewish Lives series, David Biale quotes a passage from Scholem’s teenage diary, in which he wrote about himself in the third person:

The young man…believed deeply that the soul of Judah wandered among the nations and in the Holy Land, awaiting the one presumptuous enough to free it from banishment and from the separation from its national body. And he knew in his depths that he was the Chosen One.

As that passage suggests, there was something quasi-mystical about the young Scholem’s understanding of what Zionism meant. Crucially, Biale emphasizes that he was not particularly interested in the political Zionism associated with Theodor Herzl. Rather, he belonged in the camp of the so-called cultural Zionists, who saw settlement in Palestine as a way to create a nucleus for a worldwide renewal of Judaism. As Scholem would write much later:

The reason I embraced Zionism was not that the establishment of a Jewish state (which I defended in discussions) as the main goal of the movement seemed urgent and utterly convincing to me. For me as for many others, this aspect of the movement played only a secondary role, or none at all, until Hitler’s destruction of the Jews.

Rather, “for me Zion was a symbol that linked our origin and our utopian goal in a religious rather than a geographical sense.”

While Scholem was still living in Germany, Zionism gave him the spiritual energy he needed to create an authentic Jewish life. From the very beginning, he was clear that this project involved losing any illusions about being German. To underscore the point, Scholem, whose given name was Gerhard, adopted the Hebrew name Gershom, which means “sojourner”: though Germany was his native country, he saw himself as only marking time there until he could leave for Palestine. This meant that he felt no obligation to serve in the German army in World War I, which he opposed wholeheartedly from the very start. According to his memoir, Scholem got out of army service by feigning psychosis; Biale suggests that he was unlikely to be able to fool a military doctor, and hypothesizes that “perhaps Scholem was simply exaggerating symptoms that were already present.”

Scholem’s escape from military service marked an important point of divergence from the path of his brother Werner, who served for years on the eastern front and was seriously wounded. Perhaps if Gershom had undergone the same ordeals, he might have ended up being more sympathetic to revolutionary Marxism. As it was, however, he was free to spend the years from 1916 to 1923 in cultivating his Jewish knowledge. At this time, there was no such thing as academic Jewish studies in Germany, and Scholem had to seek instruction wherever he could find it. A sympathetic teacher gave him his first Hebrew lessons, and he mastered the language on his own—a step that few German Jews, even Zionists, ever managed (just as few American Jews master it today). An Orthodox rabbi offered training in the Talmud, even though Scholem was not, and never became, religiously observant
.

Gershom Scholem Archive, National Library of Israel
Gerhard, Reinhold, Erich, and Werner Scholem, 1904

When he grew interested in Kabbalah, however, Scholem was basically on his own. In his memoir, he recalls that in the early 1920s the whole subject of Jewish mysticism was dominated by charlatans and gurus, who drew on kabbalistic ideas to decorate their teachings. At best there was a figure like Philip Bloch, a professor who collected kabbalistic manuscripts. When the young Scholem admired the collection and said, “How wonderful, Herr Professor, that you have studied all this!,” Bloch replied, “What, am I supposed to readthis rubbish, too?” “That was a great moment in my life,” Scholem wrote ironically. It showed him just how little anyone cared about Jewish mysticism, and thus how large a field was open for his discovery.

In 1923, with his doctorate in hand, Scholem finally emigrated to Palestine. A decade later, the rise of Hitler would send tens of thousands of German Jews on the same journey; but to go from Berlin to Jerusalem in the early 1920s was an extremely unusual choice, made only by the most committed Zionists. Not only was Scholem exchanging a comfortable life in one of the most advanced countries in Europe for a hardscrabble existence in a poor, remote province. He was also, he believed, giving up any chance of an academic career. There was no university in Palestine at the time, and Scholem’s hope was to become a math teacher in a high school. As luck would have it, however, he was offered a job in the embryonic National Library as a curator of Hebrew books—a subject about which few secular scholars knew as much as he did. Two years later, when the Hebrew University was founded in Jerusalem, Scholem was one of its first faculty appointments. He would spend the rest of his career there, becoming a highly influential figure in the development of Israeli academia.

But Scholem’s utopian version of Zionism meant that he was destined to be disappointed by the reality of Jewish life in Palestine. Seen in broad outline, Scholem’s life was a Zionist dream: he escaped Germany in time to avoid calamity, built a successful new life in Jerusalem, and made important contributions to the building of the Jewish state and to Judaism itself. But as Noam Zadoff shows in his biographical study Gershom Scholem: From Berlin to Jerusalem and Back, Scholem’s attitude toward both his homelands was always complicated. Far from forsaking German culture entirely, he continued to write books and articles in German as well as Hebrew. Starting in 1949, he took part in the annual Eranos Conferences in Switzerland, where he was able to address a European and German scholarly audience. His memoir, whose title Zadoff suggestively revises in the subtitle of his own book, was written in German and made him an intellectual celebrity in Germany.

Zadoff’s book is less a full biography than a study of certain themes in Scholem’s life, chief among them his ambivalence toward Jewish Palestine and Israel. Scholem hinted at this ambivalence more than once, as when he explained why he concluded his memoir with his arrival in Palestine, rather than continuing the story of his life there:

It was much less difficult…to write critically about matters from my youth, than about the difficult developments in the Land of Israel during the past fifty years. There is no lack of great episodes that I do not wish to present to a German readership.

This public reticence disappeared in Scholem’s most private writing, the German verse he produced throughout his life. The poems collected in Greetings from Angelus were never intended to be published; at most they were written for an audience of one. Often this was Walter Benjamin, whom Scholem met in 1915 and soon turned into a close friend and intellectual idol: in his diary, he wrote of this “absolute, splendid relationship with one man, who has influenced my life not by his teaching, but by his being.” Biale speculates, inconclusively, on whether there was “a homoerotic component” to this friendship; what is clear is that in this crucial period of Scholem’s intellectual development, Benjamin was a key stimulus to his thinking about language, myth, and Judaism. Their student days are commemorated in a piece of light verse, an abecedarium describing the imaginary “State University of Muri,” named for the Swiss village where Scholem and Benjamin lived while pursuing their studies at Bern during World War I. But the most serious poems Scholem wrote concerned his spiritual disappointment in Zion, as in “Media in Vita,” a lament written in 1930:

I have lost the faith
that brought me to this
place.
And in the wake of this
forsaking,
night is my surrounding
space….


I don’t know how long I’ll
hold my own
keeping watch on the edge
of the abyss
in the stifling prospect of
light
sunk into such an
enormous pit.

Zadoff excels at explaining just how the course of events in Palestine disappointed Scholem’s expectations. As an intellectual whose interests were strictly spiritual and cultural, Scholem looked down on most of the practical activity that was going on in Palestine. “Now we are dwelling here in a Zion which is not one: 500,000 people (Jews)—so one must perhaps say—and of them maybe 50,000 of those we were thinking about,” he wrote harshly in his diary in 1943. “The rest are lies and deceptions.”

Scholem was especially dismayed by the hostility between Jews and Arabs. As a member of Brit Shalom, a tiny but influential group made up mostly of Central European intellectuals, Scholem believed in a binational state. Only this solution, he thought, would avoid encouraging Jewish nationalism, which he saw as a betrayal of the cultural Zionist dream. Eventually, the course of events—above all, the fact of the Holocaust—changed Scholem’s conception of what Zion was for; he became more sympathetic to the idea that the Jews needed a refuge as much as a spiritual center. But he remained a disappointed idealist, and after the early 1930s he made it a principle never to intervene in political controversies.

Zadoff’s insights help to explain one of the rare exceptions to this rule: Scholem’s clash with Hannah Arendt over her coverage of the Adolf Eichmann trial, which is documented in their newly translated Correspondence. Scholem and Arendt met in Paris before World War II, and while they were never very close, they had an important link in Walter Benjamin, whom they both cherished. Their letters during and after the war dealt primarily with Benjamin, and with their attempts to find a publisher for the scattered manuscripts he left behind after his suicide in 1940. Later, Scholem and Arendt were both active in the effort to locate Jewish cultural artifacts in postwar Europe. Scholem’s mission, as a representative of the Hebrew University, was to bring as many ownerless books and manuscripts as possible to Jerusalem.

The dispute that ended their friendship took place in 1963, after the publication of Arendt’s book Eichmann in Jerusalem. In a scathing exchange that was later published in Encounter, Scholem took issue not just with Arendt’s judgments, but above all with her tone in writing about the Holocaust: “the heartless, the downright malicious tone you employ in dealing with the topic that so profoundly concerns the center of our life.” This ironic style betrayed Arendt’s lack of what Scholem called ahavath Israel, “love for the Jewish people.” In her frank response, Arendt confessed to the charge: “I have never in my life ‘loved’ some nation or collective,” she wrote.

The question of collective loyalty and identity was the real bone of contention between them. While Scholem’s criticisms of Zionism and Israel were profound, he remained what Michael Walzer calls a “connected critic,” attached to what he rebuked. In a late essay, he wrote:

It is certainly true that throughout my life I have believed in the rebirth of the Jewish people through the Zionist movement, but within the framework of that belief…I belonged much more to the group of those who posed questions than to those who knew how to give answers.

What must have infuriated Scholem is that Arendt posed some of the same questions about Israel that he himself had in the past; but she did so in an unconnected spirit, from the vantage point of New York, not Jerusalem.

This episode points directly to some of the paradoxes at the heart of Scholem’s identity, which Biale and Zadoff do much to illuminate. He was a man who spent his whole life in the study of Judaism yet never practiced it, while still claiming to believe in God; who dedicated his life to Zionism yet was disappointed in what Zionism created; who wrote about obscure texts and ideas yet made them feel dramatic and urgently relevant. “There is such a thing as a treasure hunt within tradition,” Scholem once wrote, and perhaps that is the best way to think of him: as a treasure hunter who found in Judaism all the resources he needed to live a twentieth-century life.

Saturday, May 5, 2018

The Complete Poems (Penguin Classics) Paperback 5 by Walt Whitman (Author), Francis Murphy (Editor) (Penguin Classics)



For You O Democracy

Come, I will make the continent indissoluble,
I will make the most splendid race the sun ever shone upon,
I will make divine magnetic lands,
With the love of comrades,
With the life-long love of comrades.

I will plant companionship thick as trees along all the rivers of America, and along the shores of the great lakes, and all over the prairies,
I will make inseparable cities with their arms about each other’s necks,
By the love of comrades,
By the manly love of comrades.

For you these from me, O Democracy, to serve you ma femme!
For you, for you I am trilling these songs.

In 1855 Walt Whitman published Leaves of Grass, the work that defined him as one of America’s most influential voices and that he added to throughout his life. A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation, and what it meant to be an American. From the joyful “Song of Myself” and “I Sing the Body Electric” to the elegiac “When Lilacs Last in the Dooryard Bloom’d,” Whitman’s art fuses oratory, journalism, and song in a vivid celebration of humanity. Containing all Whitman’s known poetic work, this edition reprints the final, or “deathbed,” edition of Leaves of Grass (1891–92). Earlier versions of many poems are also given, including the 1855 “Song of Myself.”

• Features a completely new—and fuller—introduction discussing the development of Whitman's poetic career, his influence on later American poets, and his impact on the American cultural sensibility
• Includes chronology, updated suggestions for further reading, and extensive notes

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Beat! Beat! Drums!

Beat! beat! drums!—blow! bugles! blow!
Through the windows—through doors—burst like a ruthless force,
Into the solemn church, and scatter the congregation,
Into the school where the scholar is studying,
Leave not the bridegroom quiet—no happiness must he have now with his bride,
Nor the peaceful farmer any peace, ploughing his field or gathering his grain,
So fierce you whirr and pound you drums—so shrill you bugles blow.

Beat! beat! drums!—blow! bugles! blow!
Over the traffic of cities—over the rumble of wheels in the streets;
Are beds prepared for sleepers at night in the houses? no sleepers must sleep in those beds,
No bargainers’ bargains by day—no brokers or speculators—would they continue?
Would the talkers be talking? would the singer attempt to sing?
Would the lawyer rise in the court to state his case before the judge?
Then rattle quicker, heavier drums—you bugles wilder blow.

Beat! beat! drums!—blow! bugles! blow!
Make no parley—stop for no expostulation,
Mind not the timid—mind not the weeper or prayer,
Mind not the old man beseeching the young man,
Let not the child’s voice be heard, nor the mother’s entreaties,
Make even the trestles to shake the dead where they lie awaiting the hearses,
So strong you thump O terrible drums—so loud you bugles blow.

Friday, May 4, 2018

Sunlight & Shadows in Watercolour Hardcover by Lucy Willis (Batsford)



From the introduction to the index, there are pictures of Lucy Willis' gorgeous paintings on every page, including double-page spreads, and each picture is accompanied by comments about choice of location, how it was affected by light or shade, or how she went about painting it. The book is packed with information, including five demonstrations. It's not a book which covers how to do basic washes, etc., but complete beginners (and I am one) can learn so much about the interaction of sunlight and shadows. This is not only a detailed book, but a lovely book to simply enjoy reading.

Lucy Willis is renowned for her atmospheric watercolors—and in this, her third book, she shares her professional secrets for creating inspirational landscapes, interiors, still lifes, and portraits full of light and shadow. Step-by-step demonstrations reveal how to attain different effects, from bright sunshine to dappling to nighttime scenes. In addition, Lucy shows how to paint from photographs, mix color, and use tone to achieve a successful composition.

Botanical Sketchbook Paperback by Mary Ann Scott (Author), Margaret Stevens (Author), Roy Strong (Foreword) (Batsford)



This was my first botanical illustration book purchase and I must say I was not disappointed! I've read and purchased several more (carefully chosen) since then and yet this one remains my very favorite and oft-referred to. I simply love it! It's very helpful to me to see not only the tutor's comments on her sketchbook, SBA assignments, and SBA diploma pieces, but also to see how she worked these things out, what colors she used, and so on, is super-helpful and inspiring. A great resource!

Inspirational and instructive, this mix of storytelling and beautiful images charts one woman's journey from amateur painter to botanical artist. Both a showcase for Mary Ann's sketchbooks and paintings, and a record of her achievements, Botanical Sketchbook is packed with advice for aspiring professionals. Along with firsthand accounts of the joys and challenges she faced along the way, it includes work from every assignment she undertook, from her first attempts at drawing a tulip to the triumphant paintings she made for her diploma portfolio. Margaret Stevens, President of the Society of Botanical Artists, adds her insightful comments on each piece.

Natural Processes in Textile Art: From Rust-Dyeing to Found Objects Hardcover – September 1, 2015 by Alice Fox (Batsford)



The book is a gift to handle - I love the covers Batsford is using for this book and others like it. Tactile and lovely. Inside, it gets even better. Beautifully presented - with wonderful examples. I very much appreciated Alice's straight-on writing - no elephants in the room, here. Yes, some of these processes are fragile, and fugitive, and yes, that does put some artists off. It always concerns me when a piece is for sale and has utilized some of the techniques Alice addresses. Does the new owner understand the piece may change, age and possibly fade or decompose?

But in the long run, Alice is absolutely right. Every work of art pretty much has a shelf life, and can be damaged or broken. So be clear-eyed about whatever it is you're using, and enjoy the ride. Her great examples, and easy to follow advice, make this book a real inspiration, and a keeper.


This is the first book dedicated to this popular topic, with advice on how to work creatively with what's close at hand. Bury your embroidery to give it a patina, make sun prints with found objects, and do "beachcombing weaving." These projects, along with examples from the best contemporary artists, show respect for the environment, and capture a strong sense of place, calm, and contentment.

The Moralist: Woodrow Wilson and the World He Made Hardcover – April 24, 2018 by Patricia O'Toole (Simon & Schuster)





(Was Woodrow Wilson a racist? New biography of the president takes on the question

Patricia O’Toole’s new biography, The Moralist: Woodrow Wilson and the World He Made (Simon & Schuster, 656 pp., ★★★½ out of four), comes at a ripe moment, now that the harsh revisionism of recent years has cast a dark light on Wilson’s legacy.

Campus and cultural voices have called him out as a racist, a white supremacist whose administration — from 1913 to 1921 — set back the cause of civil rights for decades by instituting segregation in the federal government, while assaulting free speech with the Espionage and Sedition acts of 1917-18. No longer can the “man of his times” defense shield the 28th president from infamy.

Yet the last major biography of the man — A. Scott Berg’s 2013 Wilson— emphasized his complexity, taking a somewhat awed measure of his unlikely rise and failed idealism in seeking global peace after World War I by championing the League of Nations. In Berg’s telling, the strains of Wilsonian intolerance seemed muted in favor of his aspirations.


President Woodrow Wilson is the subject of a new biography. (Photo: Library of Congress)

Amid the pre-Trump glow of the Obama era, Berg pointedly underscored Wilson’s progressive “New Freedom” agenda to protect the 99% of Americans from the unchecked economic predations of the wealthy. In contrast, O’Toole’s book paints Wilson as a compromised moralist, a son and grandson of Presbyterian ministers — and of the South.

Wilson’s path out of his native Virginia, then Georgia and South Carolina, led him to a remarkable role as a political thinker, orator and president of Princeton University who had never run for public office as late as 1910.Yet he led the Democratic party to victory in the presidential election two years later. Not surprisingly, this is where Wilson’s troubled legacy begins.


O’Toole’s thoroughly researched narrative redeems its rather dry prose style with a keen analysis of Wilson’s duality. She presents him as more secular than religious in his ideals — despite his ministerial background — and tragically divided in his political action.

On one hand, his moral vision of American democracy as a fragile thing, resting on the consent of the governed, caused him to push for economic reform, creating the Federal Reserve, the income tax, and antitrust law designed to counter monopolies.

Yet his fellow Southerners in Congress feared his reforms would expand federal power and overwhelm states’ rights — especially those “rights” that would justify the Jim Crow laws that kept African-Americans disenfranchised.

The Southern bloc supported Wilson in exchange for his segregation of the Civil Service. As O’Toole tells it, Wilson knew he was wrong to make that devil’s bargain, which would ensnare succeeding presidents for decades. The denunciations of white liberals and black voters who supported him in 1912 drove him, arguably, to despair.

“During his first ten months as president,” O’Toole writes, “Wilson was sick in bed at least six times, felled by headaches … neuritis, and exhaustion — maladies caused more by stress than overwork.”

If anything, this detailed portrait of a leader remembered for his upright bearing and insistent stand for world peace reveals a man compromised as much by a series of strokes and deep self-doubt, endured long before his presidency, as by his moral failures. We can sympathize, but can we forgive?

Grim and often gripping, The Moralist goes a long way in explaining the America we’re awakening to.

50 Architects 50 Buildings: The Buildings That Inspire Architects Hardcover – February 7, 2017 by Twentieth Century Society (Author), Pamela Buxton (Editor) (Batsford)

50 Architects 50 Buildings: The buildings that inspire architects by [Twentieth Century Society]
In this book, 50 leading contemporary architects choose the 50 buildings that have inspired them and made a lasting impact on their own work. Interviewed by Pamela Buxton, with specially commissioned photography by Edward Tyler and Gareth Gardner, they describe their personal reaction to inspirational buildings from housing estates to castles and coal mines to cathedrals.
Based on the Inspiration series commissioned by architecture newspaper Building Design (bd), this book includes great work by leading architects and designers of the last century such as Le Corbusier, Mies van der Rohe and Alvar Aalto, as well as lesser-known gems such as an asylum church in Vienna and ‘Lucy’, a building in the shape of an elephant. Other examples include Richard Rogers on Maison de Verre, Ted Cullinan on the Chapel of Notre Dame du Haut at Ronchamp, and Sarah Featherstone on the Byker estate.
By sharing the stories of encounters with buildings both great and humble, this book emphasises the importance of actually visiting buildings, and insights about the influence of the architecture of the C20th
Examples include:
Richard Rogers (of RHSP) on Maison de Verre (Paris, France)
Chris Williamson (of Weston Williamson) on the Eames House by Charles and Ray Eames (Los Angeles, CA)
Takero Shimazaki (of T-SA, UK) on Hexenhaus by Alison and Peter Smithson (Bad Karlshafen, Germany)
Ted Cullinan (of Cullinan Studio) on Chapel of Notre Dame Du Haut by Le Corbusier (Ronchamp, France)
Michael Squire (of Squire & Partners, UK) on Grundtvig’s Church by Peder Vilhelm Jensen-Klint (Copenhagen, Denmark)
Jonathan Woolf (of Jonathan Woolf Architects) on Haus Esters and Haus Lange by Mies van der Rohe (Krefeld, Germany)

Learn Drawing Quickly (Learn Quickly) n by Sharon Finmark (Batsford)

Learn Drawing Quickly (Learn Quickly) by [Finmark, Sharon]

A practical book with simple excercises showing the basics of drawing.

Learning to draw is quicker and easier than you might think. This practical and concise book contains simple exercises and techniques to encourage you to start drawing, whether you want to be able to create a sketch, a visual diary of your holiday, or draw for sheer creative pleasure.

Sharon Finmark covers the basics of drawing, sharing advice on texture, pattern and form. She shows how to achieve light and shade, solidity of form and how to add simple perspective to your compositions. There is an introduction to working with different drawing media including pencil, pen and ink, charcoal, coloured pencils and watercolour.

Subjects covered are still life, flowers and plants, landscapes, interiors and people. By the end of this little book you should be able to draw with confidence and have fun with it!

Tuesday, May 1, 2018

The Summer Before the War: A Novel Paperback – February 21, 2017 by Helen Simonson (Random House Trade Paperbacks)


I loved this book. Written by the author of "Major Pettigrew" it takes place in Rye, a small town in East Sussex, in the summer of 1914 before the start of WWI. The sweet innocence of the times is brought to life when Beatrice Nash arrives to teach Latin to the students of Rye. Beatrice is a well educated woman who must make it on her own after the death of her academic father. She struggles against the strictures of her time to find a place.

For some reason, a woman teaching Latin is relatively shocking. I am not sure why as there are two other women teachers but for some reason Latin is a no-no. The story of her appointment to the job is one of the funniest scenes I've read in a long time. Beatrice, also, to everyone's horror rides a bicycle and is fiercely independent and competent. She's taken under the wing of a town leader, Agatha Kent, who becomes one of my very characters ever. She is so diplomatic, loving and full of life. Agatha has also raised two nephews, Hugh and Daniel, both interesting characters. In fact the town is full of interesting characters including the idiotic wife of the mayor.

The story is full of women trying to fly on their own wings and it is just 6 years later that American women got the right to vote. It is a time of great change and limits are being tested even in the small town of Rye. The town decides to help in the upcoming War effort by taking in Belgian refugees and are then horrified to discover families want to stay to together and not be parceled out one at a time. The wry humor is delightful. There is also a group of gypsies involved who had color to the story.

And as the year progresses, change comes slowly and painfully. Friendships are made and class barriers start to fall. Innocence is lost and things are never quite the same. It's a lovely, lovely story that so accurately describes the times (at least in my opinion) that it takes my breath away. It is a slow moving book in the way real life is. I loved every minute of it.

I highly recommend it.

Filmfront Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) (Film Culture in Transition) 1st Edition by Bernadette Kester (Amsterdam University Press)



This is a very important book, offering a view of a particular genre of Weimar cinema, the World War I film, unlike anything previously available in English. Written clearly, in non-technical language, and covering in detail all of the available films on the subject, the author succeeds in keeping the reader interested even if the film is not available for viewing. But WHY does she not provide English translations for the extensive quotes from German sources that are needed to understand the points she is trying to make? It's infuriating for us non-German speaking readers. A major deficit in this otherwise fascinating work.

How was Germany's experience of World War I depicted in film during the following years? Drawing on analysis of the films of the Weimar era—documentaries and feature films addressing the war's causes, life at the front, war at sea, and the home front—Bernadette Kester sketches out the historical context, including reviews and censors' reports, in which these films were made and viewed, and offers much insight into how Germans collectively perceived World War I during its aftermath and beyond.

Monday, April 30, 2018

The Impact of the Holocaust on Jewish Theology New edition Edition by Steven T. Katz (NYU Press)

The theological problems facing those trying to respond to the Holocaust remain monumental. Both Jewish and Christian post-Auschwitz religious thought must grapple with profound questions, from how God allowed it to happen to the nature of evil.
The Impact of the Holocaust on Jewish Theology brings together a distinguished international array of senior scholars—many of whose work is available here in English for the first time—to consider key topics from the meaning of divine providence to questions of redemption to the link between the Holocaust and the creation of the State of Israel. Together, they push our thinking further about how our belief in God has changed in the wake of the Holocaust.
Contributors: Yosef Achituv, Yehoyada Amir, Ester Farbstein, Gershon Greenberg, Warren Zev Harvey, Tova Ilan, Shmuel Jakobovits, Dan Michman, David Novak, Shalom Ratzabi, Michael Rosenak, Shalom Rosenberg, Eliezer Schweid, and Joseph A. Turner.

The Rag Race: How Jews Sewed Their Way to Success in America and the British Empire (Goldstein-Goren Series in American Jewish History) Hardcover by Adam D. Mendelsohn (NYU Press)



This is a superb work of economic and ethnic history. There is abundant information about the relationship of Jews to the clothing industry following the waves of immigration 1880 into the 20th century, but here we see how the stage was set in the previous century. Many Jewish immigrants began as rag pickers, became peddlers of used clothing in remote but accessible areas, then established fixed stores. One of the most interesting points in this fascinating book was the importance of trade with plantation owners in the South, slaves (an enormous market for "shoddy" roughly made clothing), and tenant farmers after Reconstruction. In both cases, barter was often the means of exchange and commodities and land served as collateral. When buyers couldn’t pay, the merchants seized the land. In fact, in that fashion (excuse the pun--Mendelsohn has an eye-roll inducing penchant for them), one entrepreneurial Jew came to own 24,000 acres in Natchez, MS, which must have fanned some anti-Semitic flames. The clothing trade thus served as the way into banking and commodity trading.

While the book purports to deal with the USA and the British Empire, the latter is really there to serve as a kind of foil that reveals how different circumstances affected Jewish entry into the clothing trade specifically and the economy in general. While Jews in the US had a later and less auspicious start than those in the British Empire, (and by that Mendelsohn mostly means England, Australia and a few references to the West Indies), the "elaborate and geographically dispersed distribution chain" in the US laid a very effective foundation.

Through the clothing trade, Jews received schooling in essential skills essential for rapid advancement in a modern economy: "practice in petty entrepreneurship" and "sensitivity to the whims and wants of the market," but most importantly, "self-employment rather than wage labor" to facilitate a quick rise from the working class. The key to the success of Jews in the US was entrepreneurship in a field that required minimal investment of capital to start. Genius.

Mendelsohn showed clearly how specific economic behaviors and historical events informed each other. In places, there were points of momentous import that that needed greater emphasis, but that's to be forgiven. He admirably resisted the temptation to explore other areas of Jewish history that were outside of his thesis (we can research Judah Benjamin on our own, e.g.). This is a great read and with the emphasis on interdisciplinarity and teaching entrepreneurship in schools, this would make an excellent addition to summer reading lists.

Are Racists Crazy?: How Prejudice, Racism, and Antisemitism Became Markers of Insanity (Biopolitics) Hardcover – December 20, 2016 by Sander L. Gilman (Author),‎ James M. Thomas (Author) (NYU Press)

The connection and science behind race, racism, and mental illness
In 2012, an interdisciplinary team of scientists at the University of Oxford reported that - based on their clinical experiment - the beta-blocker drug, Propranolol, could reduce implicit racial bias among its users. Shortly after the experiment, an article in Time Magazine cited the study, posing the question: Is racism becoming a mental illness? In Are Racists Crazy? Sander Gilman and James Thomas trace the idea of race and racism as psychopathological categories., from mid-19th century Europe, to contemporary America, up to the aforementioned clinical experiment at the University of Oxford, and ask a slightly different question than that posed by Time:  How did racism become a mental illness? Using historical, archival, and content analysis, the authors provide a rich account of how the 19th century ‘Sciences of Man’ - including anthropology, medicine, and biology - used race as a means of defining psychopathology and how assertions about race and madness became embedded within disciplines that deal with mental health and illness.             

An illuminating and riveting history of the discourse on racism, antisemitism, and psychopathology, Are Racists Crazy? connects past and present claims about race and racism, showing the dangerous implications of this specious line of thought for today.

Freedom Is a Constant Struggle: Ferguson, Palestine, and the Foundations of a Movement Paperback – February 9, 2016 by Angela Y. Davis (Author),‎ Frank Barat (Editor),‎ Cornel West (Preface) (Haymarket Books)



Brilliant. A life, a BIG life, well lived. We can, particularly at this time,of highly visible (blatant) and deeply historically embedded systems and institutions of grave violence, all heed powerful lessons of organizing, speaking and acting, with an unyielding commitment to the increasingly dire necessity of truth to power. I mean REALLY, if not now, when? If not us, who? Angela digs deep into the depths of the greatest ills that plague us and calls us forward through her immense capacity to articulate the needs of our times through the power of words, stories, examples of the lives of others and her own. Do not read unless you are willing to get uncomfortable and engage in the hard work of attempting to make this a better world.

In these newly collected essays, interviews, and speeches, world-renowned activist and scholar Angela Y. Davis illuminates the connections between struggles against state violence and oppression throughout history and around the world.

Reflecting on the importance of black feminism, intersectionality, and prison abolitionism for today's struggles, Davis discusses the legacies of previous liberation struggles, from the Black Freedom Movement to the South African anti-Apartheid movement. She highlights connections and analyzes today's struggles against state terror, from Ferguson to Palestine.

Facing a world of outrageous injustice, Davis challenges us to imagine and build the movement for human liberation. And in doing so, she reminds us that "Freedom is a constant struggle."

Angela Y. Davis is a political activist, scholar, author, and speaker. She is an outspoken advocate for the oppressed and exploited, writing on Black liberation, prison abolition, the intersections of race, gender, and class, and international solidarity with Palestine. She is the author of several books, including Women, Race, and Class and Are Prisons Obsolete? She is the subject of the acclaimed documentary Free Angela and All Political Prisoners and is Distinguished Professor Emerita at the University of California, Santa Cruz.

One of America's most provocative public intellectuals, Dr. Cornel West has been a champion for racial justice since childhood. His writing, speaking, and teaching weave together the traditions of the black Baptist Church, progressive politics, and jazz. The New York Times has praised his "ferocious moral vision." His many books include Race Matters, Democracy Matters, and his autobiography, Brother West: Living and Loving Out Loud.

Frank Barat is a human rights activist and author. He was the coordinator of the Russell Tribunal on Palestine and is now the president of the Palestine Legal Action Network. His books include Gaza in Crisis and Corporate Complicity in Israel's Occupation.

The Orchard Hapardes Shel Akiva in English Authors: Yochi Brandes Daniel Libenson (translator from Hebrew) Publisher: Gefen Publishing House Format: Paperback ISBN 10: 9652299308 ISBN 13: 9789652299307 Catalog Number: 930-7 Number of Pages: 392 Year Published: 2017



This book - told from the perspective of Rabbi Alina’s wife— covers the period from about 85 ce to 135 ce. The author weaves together midrash, Josephus , the Haggadah, and Jewish secular scholarship to bring together the multiple themes and complex personalities of the period that provides insight into the formulation of rabbinic Judaism. The significance of the struggle between the House of Shammai and the House of Hillel is explored and explained more effectively than any academic explanation I’ve ever encountered.She also provides an explanation for why Akiba is not condemned by the sages after the failed Bar Kochba Revolt.

Brandes's approach to Judaism isn't what I call "mainstream," aka Orthodox. Her degree is from Machon Schechter, which is the Israeli academic institute of Conservative Judaism in Jerusalem. Her teaching of Bible and Judaism has been in Conservative and Reform schools and institutes. It's also important to note that the book is marketed as fiction, not history nor theology. That's why I decided to read The Orchard. It provides a "maybe this is what happened."

I'm not at all an expert in that period of time, the Sanhedrin and Rabbi Akiva. But since I've annoyed my neighbors over the years, when we learn about Lag B'Omer, the Period of Sefira and the Plague which killed thousands of Rabbi Akiva's students, because of my unconventional opinions, I hoped that Brandes's book would cast light. Ironically, that very famous story about Rabbi Akiva doesn't make it into Brandes's novel. Nor does the story of Rachel's coming to visit her husband and then turning back after seeing how joyfully he learned and taught.

Instead we see the very human side of the sages of the time and the political and personal intrigues. How much is true or fantasy? We will never know. I've been studying Bible for years, and I'm used to the idea that Judaism and the Jewish People were founded by humans with frailties. I don't feel threatened by the possibility, not at all.

The Orchard is written in first person as if Akiva's wife Rachel is speaking. This makes sense, since even the most conventional and fawning stories of Rabbi Akiva show her as the main character, the power behind the scene. Before I go any further, I must say that the translation by Daniel Libenson is fantastic. I have no idea how the book flows in Hebrew, but I was very impressed by Libenson's writing.

I definitely enjoyed reading The Orchard and recommend it. It's a fictionalized account of the times of Rabbi Akiva and Bar Kochba after Jerusalem was conquered by the Romans. My guess is that it's probably more realistic than the saccharine fairytale stories many other publishers offer. That's my opinion. You may agree or disagree. I suggest reading The Orchard before voicing yours.

The Orchard Paperback – March 1, 2018 by Yochi Brandes (Gefen Publishing House)



I was told about this book years ago but was finally happy to see it in a language I enjoy reading. The translation was really well done. I was surprised that I liked it so much. Who would think a bunch of rabbis thousands of years ago would be so interesting. This is one of the most crucial periods in Jewish history. This period was the end of Israelite cult practices and the birth of Judaism as we know it today. It was this small period of time that the Jews gained a practicing religion but lost their homeland. This book is not at all just for Jews. It dives deeply into the bare beginning of the Jesus movement and clarifies the first perception of Christianity to the Jews of Judea. It also shows how G-d's commandments and the written text because accessible to all.

The pace of the book is very good (in other words, the way I like it) and she highlights clearly the most important parts of the history at that time. What we know today she was sure to keep to the facts but what we do not know, Brandes was very generous with the fiction. It would help to understand a little about the period or in parallel look online (Wikipedia) to read if certain subjects are not clear or what is based on fact or what was made into creative fiction.



This spellbinding historical novel by celebrated Israeli author Yochi Brandes tells the story of the venerated yet enigmatic Rabbi Akiva, placing him in the context of his contemporaries, the Sages of Jewish tradition and of early Christianity. Rabbi Eliezer, Rabbi Ishmael, Rabban Gamaliel, Paul of Tarsus, and many others become flesh and blood in this stunning interweaving of biblical and Talmudic lore into a page-turning read.
At the heart of the novel is Rabbi Akiva and his complicated relationship with his wife Rachel, who meets him as a forty-year-old illiterate shepherd, marries him against her father's wishes, and compels him to study until he becomes the nation of Israel's greatest sage. Rabbi Akiva's innovative method of interpreting Scripture provides his people with a life-giving elixir after Rome's destruction of the Second Temple, but also fuels the lethal Bar Kokhba Revolt, with disastrous consequences. The Orchard offers a brilliant narrative solution to the fascinating story of four sages who entered a metaphysical orchard: one died, one lost his mind, one became a hater of God, and one - Rabbi Akiva - made it out unscathed. Or did he? 

Shark Drunk: The Art of Catching a Large Shark from a Tiny Rubber Dinghy in a Big Ocean Hardcover – June 27, 2017 by Morten Stroksnes (Knopf)



Shark Drunk: The Art of Catching a Large Shark from a Tiny Rubber Dinghy in a Big Ocean was quite the pleasant surprise. I thought 8+ hours of audiobook was a bit long to listen about someone catching a shark but this endeavor is only the background music to what ended up being a plethora of perspective and education about the sea and all the life that inhabits it.

I've stated on other reviews that the ocean is my favorite place to be in the entire world and it is worth saying it again. I loved all of the information Morten A. Strøksnes generously provided in this book. But because this book appears to be marketed and sold as a shark fishing adventure so to speak, I did still want some resolution. Ongoing attempts at scouting out the elusive Greenland shark were scattered throughout this book, but it wasn't until the final five minutes via audio that any progress was made. No, I didn't want to read 8+ hours of shark fishing stories but I also was a bit surprised that the climax was left until the very, very end. No matter, Shark Drunk: The Art of Catching a Large Shark from a Tiny Rubber Dinghy in a Big Ocean was a captivating book of science, history, ecology, mythology, culture, and friendship, and I'm glad I read it. A pleasant surprise indeed. Check it out!

My favorite quote:
"When the waves slam against the rocks, they shatter and turn to spray. Water molecules dance around on the world's oceans, dissolving, evaporating, cooling, and combining in new ways. The drops that strike my face have been in the Gulf of Mexico, in the Bay of Biscay, through the Bering Strait, and around the Cape of Good Hope many times. Maybe over the eons they've actually been in all the oceans, both big and small. In the form of rain they have washed over dry land; there they have been lapped up thousands of times by animals, people, and plants, only to evaporate, transpire, or run back out to sea, again and again. Over billions of years the water molecules have been everywhere on earth."

Empire of Guns: The Violent Making of the Industrial Revolution Hardcover – April 10, 2018 by Priya Satia (Penguin Press)



By Priya Satia, PhD, a Stanford History teacher, the details documented in this book are mind numbing. It is, as a documentary of historical fact, an outstanding, detailed piece of history. Aside from the fact where she starts with one of her own ancestors shooting (and regretfully) and killing a relative, she states her ancestor was changed (corrupted?) by the (hand) gun.

The tactics employed by the English Crown to ensure a steady supply of arms for their wars (the violence), was to fragment the (government) contracting. Something being done to this day in all "civilized" countries - USA included.

Aside from her discourse on her ancestor being changed by the gun, that is about the end of it in regards to politics. It IS an excellent discourse of the history of British gun making, population control and how gun making grew up concurrently with the industrial revolution, sometimes driving it, sometimes benefitting from it. She gives excellent examples of warfare but seems somewhat puzzled at how the firearm was used (not used) during that period of history she writes about. She does write and hints at the cultural differences between colonists and the Native Americans, concept of property rights and the defense of same even noting hardly justifiable uses of firearms and the complete assumption of power in their use and applications, not always in a just and prudent manner. Kind of like today.

Empire and Revolution: The Political Life of Edmund Burke Paperback – May 2, 2017 by Richard Bourke (Princeton University Press)



Richard Bourke began developing this history of Edmund Burke’s political thought in 1991. Published in 2015, "Empire & Revolution" uses Burke as a window into the eighteenth century articulations of British imperial power, exploring the way that Burke approached relations between Britain, Ireland, America, India, and France. It's Bourke on Burke in the best way possible.

The book begins with Burke’s boyhood in Ireland, which fascinated me. I hadn't realized that Burke was Irish (never having studied him in any great detail before this). Because of my longstanding interest in Irish history, this helped to put Burke's life in a familiar and interesting frame, and his various experiences of growing up in a family newly converted to Protestantism, then with his Catholic relatives, then at a Quaker school, and, finally, finishing his schooling at a Protestant university helped me to make sense both of Burke's enduring interest in the goals and mechanisms of power, and in his attempts to remain evenhanded and resist tyrannies of all kinds throughout his life. Though the book isn't an "intimate" look at Burke's personal life, it does attend to his general situation, his actions, his professional and public relationships, and his various alliances in detail, situating the development of his thought in his daily affairs, and taking up his main publications in a chronological order to trace the trajectory of Burke's attention and the maturing of his thought over the course of his lifetime. The book closes with the challenge of grappling with Burke’s ongoing legacy.

Through all this, the book is beautifully written. Professor Bourke’s long study, attention to detail, and gift for trenchant observation make this a lot of fun to read.

After I read the book, I had the pleasure of interviewing Richard Bourke for the New Books Network. Our conversation ranged over subjects as familiar today as they were in the 1700s, including Burke’s understanding of representative politics as a means of resolving conflicts present in the public at large, struggles between state and corporate power, and the warrant for popular revolution. One thing that he said really struck me, “A career doesn't have the coherence we impose upon it belatedly, but there exist preoccupations that recur and drive our action.” Of course he's right, and it's just these kinds of careful, nuanced observations that make his book such a good one. He is careful to note his own judgements of Burke's life and thought, and at the same time careful to hold fast to the difference between the subjects of our study and the meaning we make from them.

For all of these reasons, and many more, it's a fantastic book. Highly recommended.

South Africa's Brave New World: The Beloved Country Since the End of Apartheid 1st Edition by R. W. Johnson (The Overlook Press)

After decades of cultural and political turmoil, Nelson Mandela's inauguration as president of South Africa in 1994 seemed to usher in an age of peaceful, rational change.
But, as R. W. Johnson recounts in his sweeping history, this was not to be. The profound damage of apartheid and the country's ill-prepared new leaders -- in exile or prison for much of their adult lives -- were a disastrous combination that poisoned everything from big business to education and AIDS policy to international relations.

In South Africa's Brave New World, Johnson shows how Mandela's successors brought South Africa close to "failed state" status and explores the implications for its future. At the heart of the story lies the figure of Thabo Mbeki, whose presidency led to catastrophic failure on almost every front. With a new afterword that assesses the new administration of Jacob Zuma, this controversial book stands as the definitive history of the new South Africa.