Toyo Ito was born 1 June 1941) is a Japanese architect known for creating conceptual architecture, in which he seeks to simultaneously express the physical and virtual worlds. He is a leading exponent of architecture that addresses the contemporary notion of a "simulated" city, and has been called "one of the world's most innovative and influential architects."Toyo Ito: Generative order is based on the Kenneth Kassler endowed lecture delivered by Ito at Princeton University School of Architecture in the spring of 2009. The book is delivered primarily in Ito's voice, through the lecture transcript, which is the focus of the book, and through extended interviews, and a previously untranslated essay from 1980, all of which tie together his ideas of the interface of nature and society through the formal constructs of architecture. The publication is unique in bringing together unpublished visuals of built and un-built projects by Ito, as well as bringing together his theory spanning across his whole career, with commentary by respected scholars Stan Allen and Julian Worrall.
In 2013, Ito was awarded the Pritzker Prize, one of architecture's most prestigious prizes. He was a likely front-runner for the Pritzker Prize for the previous 10 years. A recent trend has seen less experienced and well-known winners, for example Chinese architect Wang Shu in 2012, and the award to Toyo Ito is seen as recognition of a lifetime's achievement in architecture.
Throughout his early career Ito constructed numerous private house projects that expressed aspects of urban life in Japan. His most remarkable early conceptual contributions were made through projects of this scale, such as White U (1976) and Silver Hut (1984).
With the Pao for the Tokyo Nomad Girl projects in 1985 and 1989, Ito presented a vision of the life of an urban nomad, illustrative of typical lifestyles during the bubble economy period in Japan.
Tower of Winds (1986) and Egg of Winds (1991) are interactive landmarks in public spaces, resulting from a creative interpretation of contemporary technical possibilities. Whilst their function is in fact exhaust air outlets for the underground system below, their significance lies in Ito's treatment of their opacity, one of the hallmarks of his work. Whilst appearing solid during the day, the perforated aluminium structures "dissolve" at night through the use of computer-controlled light systems which form an interactive display representing measured data such as noise levels in their surrounding vicinity.
Toyo Ito's office is known as a training ground for talented younger architects. Architects who previously worked for his office include Kazuyo Sejima and Ryue Nishizawa (SANAA), Astrid Klein and Mark Dytham (KDa), Katsuya Fukushima, Makoto Yokomizo, and Akihisa Hirata.
Critical vision[edit]
Ito's work is often said to have affinities with the ideas of philosophers such as Munesuke Mita and Gilles Deleuze.
Ito has defined architecture as "clothing" for urban dwellers, particularly in the contemporary Japanese metropolis. This theme revolves around the equilibrium between the private life and the metropolitan, "public" life of an individual.
The current architecture of Toyo Ito expands on his work produced during the postmodern period, Someof his works include
Nagaoka Lyric Hall (1994, Nagaoka)
Serpentine Gallery, London, UK (2002)
Matsumoto Performing Arts Centre (2004)
TOD's Omotesando Building, Tokyo, Japan (2004)
Mikimoto Ginza 2, Tokyo, Japan (2005)
VivoCity, Singapore (2006)
Library of Tama Art University, Tokyo, Japan (2007)
World Games Stadium, Kaohsiung, Taiwan (2008)
Torre Realia BCN and Hotel Porta Fira, L'Hospitalet de Llobregat, Barcelona, Spain (2009)
Toyo Ito Museum of Architecture, Imabari, Ehime, Japan (2011)
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