Tattooing is not only widely practiced, but in recent years has become quite fashionable. Accordingly, over the course of this century, designs for tattoos have evolved from standardized "flash" to completely customized work that allows for more detail, creativity, and even abstract painterly effects. With its curious collection of imagery, including vintage freak show advertisements, this book explores the development of the iconography of the tattoo and examines the age-old rite and tradition of embellishing the human body with images, words, and designs. Completely absorbing, the book traces the remarkable changes in tattoo styles and practices in the past several decades that have contributed significantly to this medium's ever-growing popularity and diversity. Particularly fascinating is a chapter devoted to tattooed women that includes photographs from the turn of the century to the present.
Tattooing has been practiced across the globe since at least Neolithic times, as evidenced by mummified preserved skin, ancient art and the archaeological record. Both ancient art and archaeological finds of possible tattoo tools suggest tattooing was practiced by the Upper Paleolithic period in Europe. However, direct evidence for tattooing on mummified human skin extends only to the 4th millennium BC. The oldest discovery of tattooed human skin to date is found on the body of Ötzi the Iceman, dating to between 3370 and 3100 BC. Other tattooed mummies have been recovered from at least 49 archaeological sites, including locations in Greenland, Alaska, Siberia, Mongolia, western China, Egypt, Sudan, the Philippines and the Andes. These include Amunet, Priestess of the Goddess Hathor from ancient Egypt (c. 2134–1991 BC), multiple mummies from Siberia including the Pazyryk culture of Russia and from several cultures throughout Pre-Columbian South America.
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