As an artist, I recommend this book highly. The printed colours are close to accurate. The essays all read very well, which is not common in art books. Simply stated, if you are attracted to the cover shown, read this book. If you are interested in early 20th century "Modern American" paintings, read this book.
Oscar Bluemner (June 21, 1867 – January 12, 1938), born Friedrich Julius Oskar Blümner and after 1933 known as Oscar Florianus Bluemner,[2] was a German-born American Modernist painter.
Bluemner was born as Friedrich Julius Oskar Blümner in Prenzlau, Germany, on June 21, 1867. He studied painting and architecture at the Royal Academy of Design in Berlin.
Architecture[edit]
Bluemner moved to Chicago in 1893 where he freelanced as a draftsman at the World's Columbian Exposition. After the exposition, he attempted to find work in Chicago. In 1901, he relocated to New York City where he also was unable to find steady employment. In 1903, he created the winning design for the Bronx Borough Courthouse in New York,[although it is credited to Michael J. Garvin. The scandal that arose around this took down borough president Louis Haffen for corruption and fraud.
Evening Tones
Form and Light, Motif in West New Jersey (1914)
Old Canal Port
Illusion of a Prairie, New Jersey (Red Farm at Pochuck), 1915
In 1908 Bluemner met Alfred Stieglitz, who introduced him to the artistic innovations of the European and American avant-garde. By 1910, Bluemner had decided to pursue painting full-time rather than architecture.
He exhibited in the 1913 Armory Show. He said that the Americans' contribution failed to match that of the Europeans because the American selection process reflected rivalries and compromises rather than curatorial judgment, resulting in a "melée of antagonistic examples". Then in 1915 Stieglitz gave him a solo exhibition at his gallery, 291. Despite participating in several exhibitions, including solo shows, for the next ten years Bluemner failed to sell many paintings and lived with his family in near poverty.
He created paintings for the Federal Arts Project in the 1930s.
In 1908 Bluemner met Alfred Stieglitz, who introduced him to the artistic innovations of the European and American avant-garde. By 1910, Bluemner had decided to pursue painting full-time rather than architecture.
He exhibited in the 1913 Armory Show. He said that the Americans' contribution failed to match that of the Europeans because the American selection process reflected rivalries and compromises rather than curatorial judgment, resulting in a "melée of antagonistic examples". Then in 1915 Stieglitz gave him a solo exhibition at his gallery, 291. Despite participating in several exhibitions, including solo shows, for the next ten years Bluemner failed to sell many paintings and lived with his family in near poverty.
He created paintings for the Federal Arts Project in the 1930s.
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