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Sunday, September 23, 2018
Renoir: An Intimate Biography 1st Edition by Barbara Ehrlich White ( THames & Hudson)
For Renoir devotees, this is an unmissable, revelatory account This documentary life, based on thousands of letters, many unpublished, which White has collected since 1961, is the most personal account of any Impressionist ever written. It engages with Renoir from a domestic rather than art historical perspective, bringing to quotidian life the stick-thin, wiry, energetic painter, pipe in mouth, as he converses in a rasping guttural Paris accent to friends and lovers, rearranges his cluttered studio, chats to servants in the grand homes of his collectors. Nineteenth-century Parisian bohemia has long been frozen into myth; White’s return to primary sources allows her to catch the timbre of felt experience. This is a well -rounded view of the artist’s personal and professional life… White’s readable, intriguing study sheds new light on misconceptions regarding Renoir’s personality. Readers with prior knowledge of the artist will love to learn more, while those interested in the impressionists will enjoy peeking into the lives of artists such as Monet, Cézanne, and others
White's scholarly biography is the result of ‘56 years of professional concentration on Renoir's paintings, character and personality.’ The research is here, and it's impressive. We learn about the Impressionists with whom Renoir traveled and the official Salon against which they sometimes rebelled. Manet, Monet, Cézanne and Pissarro all make appearances, as does the art dealer Paul Durand-Ruel, who created a market for these painters. Along the way, we also learn a great deal about 19th¬century French society and mores.
“The Renoir portrayed here is a generous, cheerful man but also a furtive and sometimes duplicitous one, a painter of genius who often churned out hackwork, a loving husband who constantly worried his wife would find out about the systematic lies he'd been telling her for years. It's a Renoir scarcely hinted at in the sunny swirl of his paintings – and all the more fascinating for that.”
About the Author
Barbara Ehrlich White is Adjunct Professor Emerita of Art History at Tufts University, Massachusetts. She is the author of Renoir: His Life, Art and Letters, Impressionism in Perspective, and Impressionists Side by Side. She is the recipient of the Chevalier des Arts et des Lettres.
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