Animal Farm (Signet Classics) by George Orwell (Signet)

Animal Farm by George Orwell was first published in 1945 and will be celebrating its seventieth birthday next year. It is still a keen area of debate whether it remains relevant for readers of this generation - I certainly believe it is, and the fact that it is still studied as part of the United Kingdom’s English Literature curriculum would add further credence to this opinion. I re-read the novella last night and found its themes and messages just as powerful, moving and relevant as they must have been seven decades ago.

George Orwell was – and still is - one of Great Britain’s most famous writers and it was Animal Farm, and the dystopian nightmare Nineteen Eighty-Four (1949) which first brought him worldwide respect. Animal Farm is set in a farmyard where the animals decide to seize the farmer's land and create a co-operative that reaps the benefits of their combined labours. However, some animals see a bigger share of the rewards than others, and the animals start to question their supposed utopia. Little by little, the rules begin to mysteriously change, and the pigs seem to gain power little by little, making the animals question what society they were striving for in the first place and whether their new-found freedom is as liberating as they might have hoped.

Animal Farm is one of the greatest socio-political works of all time but there is no need for the reader to pick-up on - or understand - any of the allusions to Lenin, Marx, Trotsky or Stalin as the story can be enjoyed as the simple, moving and enlightening parable it essentially is, a story that clearly shows humankind at its best and very worst. For me, it highlights the demons within every human – jealousy, greed, laziness and cruelty born of fear.

The parable successfully shows how the dream that communism in theory could be so easily turns into the nightmare that totalitarianism again and again has proven to be. I have always found anthropomorphism within the animal kingdom to provide an excellent framework within on which to build very serious themes – William Horwood’s Duncton Wood deals with religious intolerance, Watership Down deals with the never-ending struggle between tyranny and freedom. And for some reason, a loyal horse betrayed can become one of the most tragic and sympathetic figures in literature.